This is very nice indeed, Martin. As bass guitar is my main instrument, I use chorus a lot, and as you say, the cyclic phase cancellations can be very distracting sometimes. Using this, I can get some lovely stereo widening, and a sense of the bass being in a physical space without the smearing effect of e.g. a reverb. It was very noticeable too, that I never felt the need to bypass the lower frequencies around the effect or to use heavy-handed compression, as I often find necessary with other chorus effects.
I think that this could well become my go-to bass chorus - my only wish is that I could port it into my Boss pedal-board for live performance!
Spogg wrote:The big ASM module is faulting with the triangle subroutine. The word triangle only occurs twice so I changed both to spogg and no more errors were reported. Just why it should prefer spogg to triangle I cannot imagine.
In older FS versions, the built-in variables 'triangle' and 'sine' point to look-up tables for those wave shapes, which were included as standard. FS4 seems to recognise that these names were once reserved but no longer point to anything (so it's fine with your own user-defined variable 'spogg'). I had the same problem with my 'Super-LFO' schematic a while ago, where I'd relied on the sine lookup table.
Posted: Tue Oct 22, 2019 11:01 pm