Re: Compressor without techtalk?
Posted: Thu Mar 19, 2020 7:02 pm
bass, treble c-weight filter, google, search.
DSP Robotics and FlowStone Graphical Programming Software Support and Forums
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deraudrl wrote:Wasn't there a whole thread about LU filters like two weeks ago?
("DSP" plus "plain English" results in things like, "That block on the diagram makes stuff sound different." )
Exactly. My post was directed at steph_tsf, who routinely does page-long esoteric data dumps in this subforum and now, inexplicably, wants "plain English".wlangfor@uoguelph.ca wrote:deraudrl wrote:Wasn't there a whole thread about LU filters like two weeks ago?
("DSP" plus "plain English" results in things like, "That block on the diagram makes stuff sound different." )
well, I mean someone can just use the module I put together and add that to signal of a limiter, that's simple enough. But also, check out the example of a limiter that's available here:
http://dsprobotics.com/support/viewtopic.php?f=2&t=34618&p=109840&hilit=vstplug+tools#p105394
but still.. I mean My last post before had no "tech talk". Use the esquire limiter example to derive what you will how LU works.
deraudrl wrote:Exactly. My post was directed at steph_tsf, who routinely does page-long esoteric data dumps in this subforum and now, inexplicably, wants "plain English".wlangfor@uoguelph.ca wrote:deraudrl wrote:Wasn't there a whole thread about LU filters like two weeks ago?
("DSP" plus "plain English" results in things like, "That block on the diagram makes stuff sound different." )
well, I mean someone can just use the module I put together and add that to signal of a limiter, that's simple enough. But also, check out the example of a limiter that's available here:
http://dsprobotics.com/support/viewtopic.php?f=2&t=34618&p=109840&hilit=vstplug+tools#p105394
but still.. I mean My last post before had no "tech talk". Use the esquire limiter example to derive what you will how LU works.
Kind of joke. I vaguely assumed that "LU" was "Loudness Unit". I was expecting a fresh open discussion about how to properly sum dB HL (Hearing Level) components, following the Fletcher-Munson "isophonic" contour curves. Kind of adaptive "loudness" compensation, done in digital precision. The Fletcher-Munson "isophonic" contour curves don't run parallel. There is thus a form of mild multiband compression / expansion requirement, hiding over there. Are there digital multiband compressors / expanders , dedicated to this (for classic music maybe)? How to read and interpret the Fletcher-Munson "isophonic" contour network, in case there are two or three different sounds playing together, very dissimilar in frequency? I have the impression that the wireless digital speakers branded "Sonos", try incorporating such kind of compensation, kind of adaptive "loudness". I am not pleased with the result. They sound boomy, sometimes, on some audio contents.wlangfor@uoguelph.ca wrote:bass, treble c-weight filter, google, search.
steph_tsf wrote:Kind of joke. I vaguely assumed that "LU" was "Loudness Unit". I was expecting a fresh open discussion about how to properly sum dB HL (Hearing Level) components, following the Fletcher-Munson "isophonic" contour curves. Kind of adaptive "loudness" compensation, done in digital precision. The Fletcher-Munson "isophonic" contour curves don't run parallel. There is thus a form of mild multiband compression / expansion requirement, hiding over there. Are there digital multiband compressors / expanders , dedicated to this (for classic music maybe)? How to read and interpret the Fletcher-Munson "isophonic" contour network, in case there are two or three different sounds playing together, very dissimilar in frequency? I have the impression that the wireless digital speakers branded "Sonos", try incorporating such kind of compensation, kind of adaptive "loudness". I am not pleased with the result. They sound boomy, sometimes, on some audio contents.wlangfor@uoguelph.ca wrote:bass, treble c-weight filter, google, search.